| 
       
      
      A6M2b Zero Type 21 
      
      
      by Roger Fabrocini 
  
      
        
          
            | 
              
  | 
           
          
            | 
             Mitsubishi A6M2b Zero 
            Type 21  | 
           
         
       
        
      
      
        
      
      
      Hasegawa's 
      1/48 A6M2 Zero Type 21 is available online from 
      Squadron.com 
        
      
      
        
      On 7 August, 1942 PO1c Sakai Saburo, with the 
      Tainan Air Group from Rabaul, while flying escort for 27 Type 1 land 
      attack aircraft (BETTY) engaged in an 'epic' air-battle with Lt. James 
      J."Pug" Southerland of VF-5. Having already modeled "Pug's" F4F-4 Wildcat 
      I decided to turn my attention to the other protagonist's aircraft, 
      Sakai's a6m2b type O, model 21 carrier fighter. 
        
        
      
        
      I used Hasegawa's 1/48 kit #jT131, 'Tainan 
      Flying Group' which conveniently included markings for Sakai's Zero as 
      well as markings to replicate most of the aircraft for the 'Tainan' Group. 
      I am an unabashed after-market accessory 'junkie' and have bought most 
      resin and photo-etched sets for this project. Of the three or four resin 
      cockpits I chose the Cutting Edge resin cockpit set #ce48361, the fit and 
      detail being far superior to all others.  
        
      
        
        
      The following detail sets, whole or in part, 
      were used in this project. 
      
        - 
      
Verlinden Productions #1289 a6m2b type 21 
      ZERO Detail set 
         
        - 
      
Eduard #48-306 Zero type 21 photo-etched 
      detail set 
         
        - 
      
Eduard #FE218 a6m3 colored 'zoom' detail set 
         
        - 
      
Tally-Ho! #P48-014 IJAAF Hinomaru masks 
         
       
      As expected the Hasegawa kit went together 
      without a hitch.  
      Cutting Edges' resin cockpit fit with a 
      minimum of fuss.  
        
      
        
        
      Eduard's photo etched parts added greatly to 
      the intricate complexity of the landing gear and their accompanying 
      covers. Lead wire was used for the brake lines, fuse wire for the engine 
      ignition leads, hypodermic needles for the wing mounted 20mm cannon and 
      pitot tube base. The engine cowling was detailed with the Verlinden set 
      flaps and exhaust stubs. Bits of plastic rod and stock was used for the 
      ZERO'S boarding aids and gear indicators. 
        
        
      
        
      I remember reading the famous aviation artist 
      Keith Ferris describe painting the cover for Sakai's book SAMURAI! saying 
      that he wanted to replicate the structure of the Zero then paint over it 
      to impact the feel of the aircraft, it's very thin skin and light, but 
      strong structure. I thought I would adopt this approach in my rendition.  
      After priming the airframe with 'Mr. 
      Surfacer' 1000, I pre shaded with a brown-black mix, not only following 
      the panel lines, but also painting in ribs and spars.  
        
      
        
        
      My color coat is then applied in a very thin 
      mix first over the pre shading then moving into the panel interiors. The 
      very thin mix allows me to slowly add color and still let the pre shading 
      show through. Successive color coats are applied using lighter and thinner 
      paint working into the panel interior. I find it very important to keep 
      the paint very thin or a distinct separation will be detectable between 
      the color coats making the effect look unnatural. 
       
        
      A Note on Color 
      Japanese aircraft color deciphering is a real 
      quagmire, as Stuart Hurley pointed out in his superb Rufe article. 
      Researching all the sites and articles I fell upon using FS#16350 as the 
      color for Sakai's ZERO.  
      I mixed Gunze paints 50% Hemp, 50% JIN Grey 
      and one drop of rlm #81 brown- violet. To further enhance the "carmel" 
      color I was seeking I used Floquil Hi-Gloss for my gloss coats. It has a 
      distinct brown tint in the bottle. Hinomarus were painted on using a mix 
      of Vallejo mahogany brown/black red/red leather.  
        
      
        
        
      Engine cowling is Mr. Color Lacquer #125 
      "cowling Color". Polly-S thinner works great with Vallejo acrylics. Final 
      flat coat is 'Poly-S' flat. I've been lucky lately (maybe blessed?) and 
      have had no problems mixing layers of acrylics and lacquers together. 
       
       
       
      Decals 
      Kit decals were used for tail number, 
      fuselage strip, flap warning strips and data. they worked very well with 
      Mr. Mark Softener. 
        
        
      
        
      We all build for very personal and diverse 
      reasons. This build brought together many of my inspirations, brilliant 
      pilot, favorite time and place in the history of the second world war, 
      epic confrontation between two seasoned professionals and in my opinion, 
      one of the worlds most beautiful aircraft.  
      Thank you all for your help on the forum and 
      taking the time to read this article.  
        
        
      
        
      Click the 
      thumbnails below to view larger images: 
      
       
      Model, Images and Text Copyright © 2003 
      by Roger Fabrocini 
      Page Created 29 August, 2003 
      Last Updated
      17 March, 2004 
      Back to
      HyperScale Main Page  |