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Koster's 1/48 scale
PB4Y-2 Privateer

by Mike Chorney
 

Consolidated PB4Y-2 Privateer




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Introduction

 

The PB4Y-2 Privateer is my favorite aircraft.

Its concentrated firepower, delivered at or near the deck in the Pacific during WWII, must have proven both daunting and lethal to those who faced it.

I have wanted to build a Privateer for some time, and purchased a Koster vacuform conversion several years back after seeing a built model at Bill Koster’s table at the Virginia Beach Nationals. The project, which in simple terms consists of mating the Koster vac, resin, and white metal parts (about 75% of the finished model) to the Monogram B-24J wings and fuselage midsection, began a little over two years ago and commenced with work on the cowlings, engines and wings. I won’t go into all the minutiae of the step-by-step build, but suffice it to say that it took a great amount of time, care, and patience, plus loads of sandpaper, sanding sticks, and reagents designed to fill seams. The build was a labor of love, however, and I quickly lost count of the hours invested in this monster.

For those interested in the aircraft, the work is certainly worth it and you end up with a very excellent looking ‘dash 2.’ For those interested in maybe a bit less conversion effort (I am not sure about this statement), and who are not worried about 200 USD more, you may wish to take on the new Meteor resin PB4Y-2 kit, instead. I have not yet seen this kit up close.

 

 

Construction

 

Steve Hawley has previously itemized the kits few physical shortcomings. Of that list, I opted to tackle the inboard exhausts’ mispositioning and to build an upper fuselage air intake. The main engine exhausts amount to rather softly molded blips that were sanded flat along with some CA filling. I placed them according to references obtained from the web’s outstanding site, Navylib.com, a must visit (thanks to Mr. Jim Augustus). The exhausts were made from brass tubing and CA’ed into place.

 



Building the engines, and aligning them into the spaces obtained following removal of the B-24J’s powerplants, are both very tricky processes, and each requires much care, much dry-fitting, and time. I personally like working with vacuform, and the cowlings were whittled down so that they fit together well; bolstering the join strength with sprue on the interior surfaces followed by sanding down and filling the soft vac material is quite enjoyable and relatively painless. The hardest part of the engine assembly, for me, was applying the resin cowling fronts to the vac engine cowlings (and, in positioning the resin engines in the absence of any significant guides or framework). Much cautious sanding and filling is required in order to balance the possible complete removal of the seam with actually retaining a uniform and aligned minor seam, corresponding to a real panel line. At a few sites on these pieces I actually broke through the vac material with my vigorous sanding. Moreover, after the wings were attached to the fuselage, rigorous handling led to cracks in the thinned vac cowlings. Recently, the wing came loose due to the sheer weight of the aircraft, and I cannot tell the number of times I have bent the white metal gun barrerls!

The SWOD BAT Mk.9 glide missiles were scratchbuilt from Sculpty (?) clay (the body, heated in order to harden the material) and plastic sheet (wings and empennage). The attachments were made from sprue; the hose from electric wire casing, etc. The missiles turned out far better than anticipated and added much to the finished model.

 

 

Another area of interest is the nose art. On the port side is a nude, copied from a real aircraft, christened ‘Els Notcho’ of VPB-108, I believe. I tried a new technique which worked very well. I drew the figure, and cut the shape out of frisket. I cut the mask so that one could spray the body and hair with different enamel colors. After drying, I applied colored pencil for shading, eyes, navel, etc. The technique was simple and proved very convincing. Although the face was a bit off from the original, the ‘superstructure’ turned out to my liking, at which point I decided to create navy wolfmen on the starboard sign, copied from a picture of a PB4Y-1: a bit of artistic license here. I added some dice and a martini glass with olive. I advise you to try pencils on noseart subjects in the future as they work very well for shadowing and shading, and…..you need not be a master artist to obtain reasonable results.

A lot of other minor changes and additions accompanied the build. The rudder was removed and now slips into place. The bow and stern turrets are removable. This was done to aid in the cleaning of the window interiors as building neared completion (and dust accumulated), and to add more interior detail later. Rear entryways also allow adjustment of the Erco side turrets which after moving up and down, have a tendency to slip out of their mounts, which are not well engineered.

 

 

All cowling exhausts were opened; the top aeration vent was opened as well and received a fine-mesh screen (not sure if this was on the original, although there appears to be a covering of some sort observable in pictures); a nav blister was positioned aft of the turret, an antenna was built for the top of the nose, and atop the starboard Erco turret. I positioned the right blister in a severe downward angle, allowing the hatch to be seen (not sure if one could have lowered the turret without actually sitting inside! but it can be moved without too much effort). Hydraulic lines were added to the landing gear, and all the panel lines were rescribed after sanding (both the Monogram wing and the vac material: body and cowlings). I also added some punch and die nuts to the radar housing and the top turrets which add some interest (the turret nuts are way overscale, but fine with me). Some additional masts and aerials were added to the ventral surface of the body.

The flight deck received a bunch of details: overhead panel, throttles, sun visors, scratched belts, and three figures. It looks busy and as if the plane was taxiing to go. I cut out the side sliding blisters and added back those from the spare canopy. These are held in place by L-shaped sprue on both sides as rails so that the blisters move and can be repositioned much like on the real plane. The rails were sanded down to make them more akin to scale.

 



My one concern is the dorsal turrets. I like the detailed interiors and the 50 cals, but I feel that the turrets are simply oversized. The ‘highhats’ look very large, not so much too high as they appear too wide, and they are designed to sit atop the resin turret which itself sits atop the fuselage outcropping that results from cutting out the turret openings. The vac ledge amounts to thin vacuform material that looks wobbly; I decided to add L-shaped sprue around the inside to create a more engineered looking framing, which on the real aircraft runs around the outside of the turret instead of serving as a support on top of which the turret sits. Maybe my modeling is at fault here, and not the engineering as I could be misinterpreting the assembly. In any event, I didn’t’ want to re-engineer the turrets to sit further inside the body as I was concerned that a far too large opening would result. Another problem I faced was getting the resin turrets to simply sit flat. I sanded both the turrets and the fuselage down and ended up whitegluing them into place, as opposed to letting them turn freely. The clear highhats merely sit on top, as I opted not to whiteglue them in place since I am currently working on figures for these positions. I also didn’t like the way the gun coverings are molded into the turret itself. Well, at least something is provided, as opposed to a simple opening found in most turrets. However, one needs to cut out a hole for the gun barrel, and the whole effect looks chinzy. I added a bit of framing on top of the cover which adds a bit of interest and breaks up the simple lines of the indented gun covering. Some oversized bolts add a bit of interest. On the real turret, the Perspex is bolted extensively with very fine bolts, something I couldn’t reproduce at present.



 

Painting and Markings

 

Paint was Testor’s enamels, with much pre- and post-shading.

Watercolor was added here and there. Additional weathering was liberally applied with chalks. Fixing the chalks to the finish was accomplished using very dilute paint as opposed to flat finish. The wingtops received the salt treatment masking technique in order to draw interest to the walkways (FSM) following the spraying of Alclad aluminum but prior to the spraying of the several shades of blue. Insignia were airbrushed. I also scratched the side windows out of clear sheet styrene and then backed them with additional clear sheeting in order to get them to lie nicely in position and nearly flush with the body. The effect is worth the added work as the vac slide windows are a poor fit.



 

Conclusion

 

I still have lots of fiddly things to clean up (I want to fare-in the canopy a bit better as well), but generally, I have a pretty nice lookin’ model of an aircraft whose popularity is increasing far after the time when she served at interdicting Japanese shipping. It took a lot of time and effort, but there is no doubt that the few times I have recently displayed the plane, it has drawn great attention and interest (this article is dedicated to Robbie and the boys of Greensboro, NC, who like the big aircraft, especially the missiles). Maybe it’s the blue bomber scheme, or the bristling alligator look of one menacing airplane. In any event, I am going to settle back with a brew, or two, and one of my favorite books on WWII aircraft exploits, Forbes’ “Goodbye to Some,” which conveys what it was like to fly the PB4Y-1’s.

While I do, I’m going peer over at ‘Els Notcho’ in order to fantasize what it might have been like to skirt the waves and fire on an Empire SugarDog off the Malay coast. Cheers.

P.S. Reiterating Steve’s sentiments: thanks to Bill Koster for taking this subject on years back - it’s one great looking model, with minor warts and all (pun intended). Thanks to Alan Carey for his published works which are excellent.


 

Additional Images

 

Click the thumbnails below to view larger images:


Model, Images and Text Copyright © 2006 by Mike Chorney
Page Created 22 May, 2006
Last Updated 22 May, 2006

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