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		Figure International 
		Magazine 
		54mm Subscription Figure 
		 Roman Auxiliary 
        
        
        by 
        
        Glen 
        Phillips 
          
        
          
            
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               Roman Auxiliary  | 
             
           
         
          
        
        
          
        
        
        Figure 
		International Magazine is available online from Squadron.com 
          
        
        
          
		
			
				
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					Summary | 
				 
				
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					Subject | 
					Figure 
					International Subscription Figure – Roman Auxiliary | 
				 
				
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					Scale | 
					54mm | 
				 
				
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					Medium | 
					Metal | 
				 
				
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					Paint | 
					Andrea 
					Acrylics | 
				 
				
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					Accessories | 
					AEPR002 
					Andrea Round Base | 
				 
			 
		 
		Since its inception, Figure International Magazine has offered a free 
		54mm metal figure with a one-year subscription. Their latest figure – 
		for those subscribing or renewing starting with issues 13, 14, 15, or 16 
		– is a Roman Auxiliary soldier. 
		 
		This is a well-sculpted and cleanly cast figure in a casual pose, but 
		with a posture that shows some ‘movement’ due to the raised leg, turned 
		torso and head, and the spear resting over the shoulder. The figure is 
		broken down into a torso, legs, left arm and shield, right arm and 
		spear, head, sword, and base. The head is particularly well done; having 
		a prominent brow, cheekbones, nose, and chin all neatly framed by the 
		helmet and cheek guards. The shield is lightly engraved with the facing 
		design. Although some areas were a bit ragged, the engraving provides an 
		easy guide to painting the crescents, wreaths, and spirals. 
		  
		  
        
          
            
            
            Preparation, 
			Painting and Assembly
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		 Clean-up 
		took all of about 45 minutes.  
		Apart from some minor flash and a prominent seam around the toes of 
		the left foot, most of the casting seams had to be looked for under 
		strong light. Even then, I missed a few which didn’t become visible 
		until after I primed the parts. Since my plan involved pre-painting 
		nearly everything before assembly, I spent some additional time making 
		sure everything fit. I also pre-drilled the bottom of the kit’s metal 
		base to secure it to a wooden base later. 
		 
		After priming, I buffed the helmet and the metal parts of the spear and 
		shield using a motor-tool. I simply prefer using metal to depict metal 
		rather than painting it. I then painted sandals, followed by the face, 
		arms, and legs. I usually find it easier to paint raised detail first. 
		Consequently, the sword strap was painted, shaded, and highlighted next. 
		The chain mail was then painted Gun Metal followed by a wash of Flat 
		Black. The wash was heavier in the shadowed areas. The lower tunic and 
		sleeves were painted Reddish-Brown (AENAC018), then shadowed with Dark 
		Leather (AENAC048) and highlighted with Golden Yellow (AENAC008) mixed 
		into the Reddish-Brown. 
		 
		On a side note, both the highlights and shadows were applied using a mix 
		of water and isopropyl alcohol to thin the paint into a near wash 
		consistency. Successive applications of the wash will make the color 
		more intense and more opaque. This is also handy when painting the face. 
		Following up with the base color and the water/alcohol mix allows you to 
		soften any hard lines between the base color and highlights and shadows. 
		After talking to a number of painters and doing some reading, I found 
		this is a fairly widespread technique among acrylic users, so there’s no 
		points for originality here. 
		
		 Golden 
		Yellow, highlighted with White and shadowed with Purple (AENAC014) 
		mixes, was also used on the shield design. The shield background was 
		painted Prussian Blue (AENAC022) with mixes of White and Flat Black for 
		the highlights and shadows. 
		I used the kit base with no additional groundwork. The rocks were 
		painted dark gray, washed with black, then drybrushed with a lighter 
		gray. The ground cover was painted a dark brown mix, given a black-brown 
		wash, then drybrushed with various mixes light browns, tans, and green. 
		  
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